Rachel Walls is a film maker with experience in a wide range of production areas. Her strengths are film animation/motion graphics, non-linear editing, post production supervision, and telling other people to sod off.
Rachel brings over 15 years of experience to her filmic undertakings.
She does lots of work that keeps her away from simple things in life, such as updating her website, which is a collossal pain in the ass. Here are a few highlights from her long history of slavery to the moving image...
Obsessive Possessives - Documentary, Dir. L. Achille, 2012
Obsessive Possessives is a film about collecting, from the perspective of a range of collectors. Rachel assisted with the fine cut and online of the project, as well as creating a range of animations for titles, credits, graphics and segways for the film.
Apple of Iron - Animation, 2008
Apple of Iron had its interntional premiere at the Annecy International Festival of Animation, and has screened at a wide range of A-list festivals and further around Europe, Australasia and South America. It has since become subject of animation studies, been shown in fine art galleries and universities, and Rachel has presented a wide range of lectures regarding the film.
The Naked Feminist - Documentary, Dir. L. Achille, 2004
The Naked Feminist is a long-format documentary that Rachel edited and animated (and more) with director Louisa Achille under Lush Lily Films. Completed in 2004, the film had its international premiere at SXSW where it won the Emerging Visions audience choice award for documentary. The film went on to screen internationally at festivals, followed by museums and galleries, and has since found a home in a range of universites as a contributing educational tool. It continues to screen to this day.
Rachel has also worked on award-winning TVCs that have screened locally, with Silver winnings at ProMax in the ID category, and nominations in international festivals, some of which she has no idea about, due to her nefarious dealings with advertising agencies, and her tendency to not really remember stuff clearly about nominations and such. She has a very long filmography and it's boring and you can see an expurgated list on her CV.
If you are looking for a fine editor or animator, why not contact her today?